It’s Time to Talk About the ConstitutionA discussion about the 235-year-old document and Heidi Schreck’s play about it.Jul 4, 2022Jul 4, 2022
This is the Best — and Worst — Time for “Top Gun: Maverick”AKA: The Geopolitical Implications of 2022’s Summer BlockbusterJun 20, 2022Jun 20, 2022
REVIEW: Broadway’s Back(log) Takes Center Stage at the TonysThis year’s ceremony struggled to celebrate the new under the weight of the familiar.Jun 16, 2022Jun 16, 2022
Letting Students Reinterpret “The Crucible”“John Proctor is the Villain,” a new play by Kimberly Belflower, does just that.Jun 16, 2022Jun 16, 2022
Harry Styles Has Finally Found His MoldThe pop star’s third solo album proves his real strength isn’t quite what he — or we — thought it was.Jun 16, 2022Jun 16, 2022
TikTok Made Swifties Spiral. But It’s Not Just Them.May 13 is the most visible version of what social media — specifically TikTok — can do to an online community.Jun 16, 2022Jun 16, 2022
The Dropout is a Success Story about an Iconic FailureThe series may not present a new story, but it definitely has some tricks up its sleeve.Mar 10, 2022Mar 10, 2022
Is it Possible to Represent a Country and Not Its Politics?Eileen Gu may be the victim of hypocrisy.Feb 12, 2022Feb 12, 2022
Only Twitter Benefits from a Celebrity FeudSocial media has created an ecosystem that benefits baiting celebrities over highlighting real stories.Jan 28, 2022Jan 28, 2022
An Aside on Asides, and MacbethJoel Coen’s new adaptation is amazing, except in its use of this theatrical device.Jan 21, 2022Jan 21, 2022
